Calendar

Curated by members of the photographer’s family, this exhibition covers Linda McCartney’s whole career, from 1965 to 1997. The range of works in the exhibition, including never-before-seen Tucson views, reflect the spontaneity and ease of her photographic style. 

Sessions on Creative Photography is one comprehensive look at the boundary-breaking career of Hazel Larsen Archer, from her instrumental work in photography within mid century avant-garde art circles to her transformative approach to photo education.

Inspired by Linda McCartney’s plant-based movement and Mary McCartney’s contemporary project “Mary McCartney Serves It Up!,” CCP will bring our community together for creative experiences and meaningful connections through food, photographs, and conversation.

Mural-scale digital projections rotating photographs of the southwestern United States from CCP’s collection hypnotically tangle with a chance array of music and sound. 8-Track will also be stage to a curated schedule of live, in-gallery performances by regional musicians, commissioned to perform work inspired by CCP’s collection of photography.

Fashioning Self: The Photography of Everyday Expression examines the role of photography in shaping, sharing, and shifting identity.

Richard Avedon: Relationships, envisioned by Chief Curator Rebecca Senf for the Tucson galleries of the Center for Creative Photography at the University of Arizona in 2018, has been expanded and will go on view in Palermo, Italy starting this April.

Catch Beatlemania with John, Paul, George and Ringo at this fab sing-a-long screening of the 1964 rock ‘n’ roll musical, A Hard Day’s Night!  Sing-a-long to all the movie’s classic tunes, including “Can’t Buy Me Love,’ “I Should Have Known Better,” and “A Hard Day’s Night!” Rock out with pre-show Beatles Music Videos, and come dressed as your favorite Mop Top for our Beatles Costume Contest before the movie. You’ll love it, yeah, yeah, yeah!

Drawn from five series: World War II, Nurse Midwife, Jazz Loft, Hitachi Corporation, and Minamata, W. Eugene Smith’s work will be presented with archival material that helps expand consideration of his practice beyond an art historical lens, connecting his photographs to other fields and disciplines.

Louis Carlos Bernal: Retrospectiva presents some 125 photographs by the pioneering Chicanx photographer active in the 1970s and 1980s, focusing on his moving portrayals of Mexican American people living in the barrios of Tucson and throughout the Southwest.