Richard Avedon: Relationships, envisioned by Chief Curator Rebecca Senf for the Tucson galleries of the Center for Creative Photography at the University of Arizona in 2018, has been expanded and will go on view in Palermo, Italy starting this April.
Mural-scale digital projections rotating photographs of the southwestern United States from CCP’s collection hypnotically tangle with a chance array of music and sound. 8-Track will also be stage to a curated schedule of live, in-gallery performances by regional musicians, commissioned to perform work inspired by CCP’s collection of photography.
Sessions on Creative Photography is one comprehensive look at the boundary-breaking career of Hazel Larsen Archer, from her instrumental work in photography within mid century avant-garde art circles to her transformative approach to photo education.
Curated by members of the photographer’s family, this exhibition covers Linda McCartney’s whole career, from 1965 to 1997. The range of works in the exhibition, including never-before-seen Tucson views, reflect the spontaneity and ease of her photographic style.
Why Color? is the first class residency piloted by the Center for Creative Photography + Art & Visual Culture Education in the School of Art. Simultaneously a classroom and installation, the project launches in early September inviting University of Arizona graduate students in the course “Participatory Practices and Edu-Curation in Exhibitions” to design an exhibition from CCP’s collection of color photography.
And Let it Remain So: Women of the African Diaspora brings together the work of five photographers who explore their experiences of the African Diaspora and its influence on their understandings of identity, community, place, and displacement.
Tucson-based photographer Alanna Airitam’s photographic project, “The Golden Age” celebrates a vision of Black Americans that is uplifting, inspiring, and empowering. In ten luscious and elegant large-scale portraits the artist features contemporary African American people as symbolic saints who are simultaneously magnificent and powerful.
From February 5-July 22, 2022, the Center for Creative Photography (CCP) and the Laboratory of Tree-Ring Research (LTRR) will stage installations together that follow historical, cultural, and scientific narratives inspired by trees.
Over the last four years, the Center for Creative Photography analyzed our collections, determined strengths, and identified gaps in representation. The Center is committed to growing the collection to include previously underrepresented artists, and through three auctions of duplicate holdings in the collection, the CCP has funded an endowment to purchase work to diversify the collection. Trios: Looking Close at Three New Acquisitions serves as our first opportunity to share new works funded by the endowment with our community. Designed to be an evolving exhibition, we will rotate works in February and March, sharing three new prints each time.
In 1988 and 1990, with support from two major grants from the Hitachi Corporation, the CCP made a historic acquisition of 87 works by nineteen contemporary Japanese experimental photographers. Farewell Photography brings together all 87 prints for display for the first time since they were acquired.
Photojournalism and now citizen photojournalism, too, are forces in shaping public opinion, discourse, policy and history. That’s why we are purposely conducting a study of photojournalism at this—our—historical junction in 2020.
Pulitzer Prize-winning photojournalist David Hume Kennerly has documented momentous events and people including politicians, entertainment figures and a space shuttle liftoff. A pop-up exhibition of 25 of his prints are on display at Main Gate Square and inside the Tucson Marriott University Park hotel.
Twentieth-century American photographer Ansel Adams famously said that the photographic negative is like a composer’s score, and the print a performance. Drawn from the Ansel Adams Archive, at the Center for Creative Photography, housed in Tucson at the University of Arizona, this exhibition illustrates Adams’s meaning.
As a featured component of the University of Arizona’s Family Weekend 2019, the Center for Creative Photography has designed its first-ever outdoor pop-up exhibition. Including 63 images by photojournalist David Hume Kennerly (b. 1947), the exhibition shows the Pulitzer-prize winning photographer’s breadth of subjects.